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10/24/2017
Kris Gruen supporting Alejandro Escovedo

Kris will be supporting Alejandro Escovedo on short run of major Western cities early November. Nov 4 - Santa Fe, NM - GiG Performance SpaceNov 5 - Denver, CO - The Soiled Dove UndergroundNov 7 - Salt Lake City, UT - The State Room

10/20/2017
Young Mister to release "Soft Rock" Oct 27th

When asked to put together some songs that reflected his intimate solo performance in BMG's Los Angeles office the past spring, Fiore drew from a few ideas he’d been toying with in the months prior and wrote two new songs, completing the task in two months time. The short collection of minimally produced ballads appropriately titled Soft Rock is more stripped down than the self-titled debut album released last year. The lead single, Infinite Space, was inspired by a podcast that discussed the possibilities of extraterrestrial life. Fiore says “One contributor stated that he believed life existed elsewhere but was heartbroken by the fact that we may never get to see their faces. This struck a chord in me, as the true nerd in me is also saddened at the thought of never meeting aliens. I’ve often felt like a loner growing up, as if no one truly understood me, so I tied the sentiment from the podcast into the idea that maybe the only beings that I could ever truly identify with are living somewhere in a galaxy far, far away—too far to ever reach.” This track features backing vocals from Christie Dupree of the bands Eisley and Merriment. The EP highlights Fiore’s signature “energetic yet considered songwriting” (Popmatters) where he crafts songs that are “gentle, sincere, and built with a strong hook” (Consequence of Sound). Produced by Fiore, Soft Rock was recorded in assorted studios in Charleston, SC, Nashville, TN, and Asheville, NC by Dan McCurry, Taylor Bray, Matt Lohan, and Fiore himself, and mixed in Brooklyn, NY by Charles Newman (The Magnetic Fields, The Bones of J.R. Jones).

9/7/2017
New Placements: Mother Feather, Shim in Showtime's Shameless

Listen to songs from Mother Feather and Shim in the upcoming season of Showtime's Shameless. Both songs are featured in the season premiere. Shameless season 8 premieres Sunday, November 5, at 9pm ET/PT.

9/4/2017
Songs featured in upcoming film All These Small Moments

We’re excited to announce our collaboration with director Melissa B. Miller-Costanzo and Moving Pictures Artists on the upcoming film All These Small Moments. Charles Newman will serve as music supervisor. The upcoming film features songs from Mother West artists Aloud, Kris Gruen, Cold Blood Club, and Tom Shaner. Written and directed by Melissa B. Miller-Constanzo, All These Small Moments stars Brendan Meyer, Molly Ringwald, Jemima Kirke, Harley Quinn Smith, Sam McCarthy, and Brian D'Arcy James. The coming of age tale centers around a teenager (Brendan Meyer) becoming infatuated with a woman he sees on the bus each day (Jemima Kirke), further complicating his already tumultuous adolescence.

See AllFeatured Tracks
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Album: Music For Outcasts
Genre: Folk
Mood: Cheerful, Comical, Heartfelt, Laid Back, Mellow, Positive
Instrumental: Yes
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Album: Mother Feather
Genre: Alternative, Glam, Pop
Mood: Aggressive, Attitude, Driving, Energetic, Rebellious
Instrumental: Yes
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Album: Soft Rock
Genre: Singer/Songwriter
See AllFeatured Artists
The Come On

The Come On is the brainchild of songwriter Sam Barron and producer Brian Speaker (Jeffrey Lewis, The Fem Doms); an irreverent new wave rock concoction of overdriven Telecaster, vocal harmonies and sparse synth strokes. Their sound merges The Modern Lovers garage rock with a Devo geometry, and honors above all the spirit of T. Rex. In fact, it was after emerging from a T. Rex-induced coma, Sam began to write a new set of songs for the band he and Speaker had envisioned. In the fall of 2016 with drummer Lou Cozza (Darkwing, Looms) and singer/keyboardist Mimi Oz, Sam took the material on the road and after feeling the updraft of the response to the songs, Speaker recorded The Come On live off the floor at his SpeakerSonic Studios right after they returned to Brooklyn. Additional production was added by Charles Newman (Magnetic Fields, Motopony)

The Davenports

“Klass writes melodic confections that seep into your psyche and stay…and does so with wit and intelligence” (PopMatters). Brooklyn’s Scott Klass makes music that’s “steeped in pop/rock—Weezer meets Ben Folds…leading you to sing along to songs you’re hearing for the first time while stories unfold of relationships gone awry….” (The Deli). He puts it out with a rotating cast of great musicians—the core of which is now Erik Philbrook, Rob Draghi and Cheri Leone—and calls it The Davenports. The cast includes regular appearances by Claudia Chopek (Springsteen, Moby), Garo Yellin (The Ordinaires, Pere Ubu), Danny Weinkauf, Dan Miller (They Might Be Giants) and many more. After a string of pop projects, including playing alongside Chris Collingwood in the Fountains of Wayne frontman’s previous band, Klass conceived of The Davenports in 2000. Well-known for “Five Steps,” the theme song to A&E’s Emmy-nominated Intervention, he’s licensed numerous songs to TV in addition to putting out three critically acclaimed records—Speaking of The Davenports, Hi-tech Lowlife and Why the Great Gallop—which set tales of love, lust, mean, money-dangling mothers, superstitious panic attacks and the like to a torrent of guitar-driven, melodic rock. The Davenports recently contributed renditions of Wham! and Randy Van Warmer songs to the compilation series’ Drink a Toast to Innocence (covering the ’70′s) and Here Comes the Reign Again (covering the ’80s)–records which also featured Mike Viola, Freedy Johnston, Rachel Yamagata and Chris Collingwood. Starting in January 2015, Klass and the band will release a new single every month, the first of which, entitled “Don’t Be Mad at Me,” will be accompanied by The Davenports’ first official music video.

The Ritualists

The Ritualists is NYC-based dark psychedelia. Fronted by lyricist and multi-instrumentalist, Christian Dryden, the group's fusion of classic glam rock, post punk and modern Brit-pop has raised more than a few eyebrows, earning them comparisons to legends such as David Bowie, Echo and The Bunnymen and The Verve, and the praise of Sex Pistols founder, Glen Matlock. The Ritualists' live show combines aspects of traditional rawk theatricality and classical surrealism. They have awed audiences up and down the east coast, from The Highline Ballroom, NYC to The Masquerade in Atlanta. They were recently one of only 25 other artists chosen to participate in the All About Music festival in Nashville, TN. They have played alongside notable artists such as Lady GaGa, The Fiery Furnaces, Earl Slick, and Love & Rockets. They have performed live for 107.7 WACC in Connecticut and 90.3FM WMSC Radio in Montclair, NJ. The Ritualists are also featured regularly on 107.1 FM, "The Peak" and 93.30 FM in Argentina.

Aaron Flinn

Aaron Flinn plays anything he can get his hands on and writes, engineers, records and performs most of the material that you'll hear. Aaron also loves hitting the studio or stage with a long list of incredibly talented characters: poets, prophets, beats, bastards, wizards, fairies, family and friends.

Cristina Taddonio

Cristina Taddonio’s sound is as unique and eclectic as her story. Born in Kathmandu, Nepal and raised in Milano, Italy, Cristina spent her childhood following the nomadic travels of her mother from India to Israel and onward. Gathering the stories and sounds of her travels, Cristina began to write music about the people, struggles, and beauty that she experienced. Her music today is heavily influenced by her upbringing, and one can hear bits of everything from Billie Holiday to The Police in her unique pop/rock/jazz fusion. Creating a style for the heart hungry, Taddonio’s maturity and mastery of so many genres is indicative of her message and her goals. Anyone and everyone can find a piece of themselves in her emotionally intelligent lyrics and hooks that just, well, hook you. While obtaining a Bachelor’s degree in Commercial Music and Composition from Belmont University in Nashville, TN, Cristina recorded her eight song ep “real” in which she wrote and co-arranged every piece. Innovatively bold, Cristina’s songs fearlessly address love, God, sex, and anything else that comes to her mind with an unparalleled virtuosity of language and emotion. The result teeters somewhere between sincere and provocative. In an industry of growing instant gratification and fluff pop, Taddonio brings a fresh sound and hopeful lyrics to listeners from every generation. Cristina’s extraordinary honesty and powerhouse vocals inspire a new trend in heartfelt and quality music, and give us all something to listen for.

Motopony

While reading a book called "The Spell of the Sensuous" by David Abrams, Daniel Blue came across a shamanic tradition that suggested that animals, plants, tools, and even stones have a kind of perception and they echo what they are offered. It was suggested that a life lived in poor relationship with the world around oneself was perhaps the cause of all the sickness, war and suffering in the world. Seeing the earth burning and taking this to heart, Blue decided to experiment with the theory and attempt to "have a relationship" with his (rather small) motorcycle. He called it "pony", spoke to it as if it were alive and tried his best to respect it as a living thing or at least as a part of life as a whole. Of that time he said, "It changed me forever riding my bike that way. It was undeniably more enjoyable to coax and caress the machine like a friend rather than take it for granted like a meaningless gathering of extruded metals, rubbers and gasses. For the first time, I began to see myself as part of the world and not just a user of it." The resulting joy and empowerment of that moment was infectious and thrilling to Blue, and he coined the term "Motopony" in celebration of the revelation. From then on he began to use the word Motopony to define any tool that he used respectfully with a relational intention of healing himself and the world. A dark night not long after, mourning an anniversary of the early death of his late mother Kathleen Antoinette, Daniel reached for a broken guitar he had purchased some years earlier and leaned into it with all of his soul. "I had a great need for that guitar to release me from the despair and doom that I was feeling. Somehow I believed that this guitar also needed me to strip it of its extra strings and tune it in triad to the timbre of my untrained voice. We had a conversation, and in my grief, we fell deeply into love." That night he sang a poem he had not yet written, "Hero's Lullaby" and came to call the guitar "Old Blue". From that moment on Daniel threw everything he had and everything he was into song and music. He closed his event space and warehouse, sold his burgeoning fashion design business, disavowed himself of nearly all possessions and began to couch surf so that all of his time could be devoted to learning the craft of music. Within a year Daniel had partnered with a local hip hop producer named Buddy Ross and an eponymous "glitch-folk" album was already finding itself on noncom airways all over the world. Motopony was born. The band immediately found home on the road with multiple US tours and dates all across the UK. An EP with a full-length followed owning its roots to the iconic Abbey Road studios. Jetting to Indian festivals and entertaining their international fan base, the band grew with their popularity. Wrapping up their third full-length release Daniel believes that he is perhaps just now hitting his stride as a musician, a businessman-by-proxy, and a leader of a band. "The system that surrounds music and the industry that we have created to sustain musicians and the people who work to support them; it is also a tool that can be used with intention. It's complicated, but I still believe that it's possible to be in a respectful, intentional healing relationship with the music industry. It is, after all, a thing we ourselves have created, and therefore a part of the whole that is life. It can be loved." Perhaps this is what he means when he sings "I still believe in the magic babe" in the upcoming song "a little death" "I will probably never stop looking for the magic that I found reaching into that broken guitar for help and for a friend. The effort, intention and desire were not wasted. Something...some third party came along and allowed it. To me this third party is Love and that is my God. This God and the recipient of my worship is that what allows relationships to produce this kind of fruitful beauty." What may seem foolish to some, that leap into “hope in love”, this is what Daniel sings of in the single off the upcoming record "when we were young" when he says, "we were dumb enough to try." Daniel took this idea of “playing dumb” and being willing to throw yourself in harms way for the sake of a dream to Timothy Graham. Together the two created the song, “When We Were Young,” which they felt was important both to them as career musicians and in regards to what they wanted to say to the world. “I remember texting my management team and saying something like "mark my words, game changer". Timothy gave me that awesome feeling that my strengths were matched well as a writer. It's a hard to thing to come by to be understood and joined by another musician, the result being greater than either of you could do alone.”On their third full-length "50 Katrinas" the new band echoes this seeker’s journey with long wistful interludes woven between sharp and neat trippyfolk inspired rock gems. Like living quartz crystals growing out of flowing canyon walls, catchy inspired and distinctively Pacific Northwest psyche-pop singles hide amidst the foliage of a free-spirited kaleidoscope of unhinged compositions. Biting lyrics mock the information age while admitting their home in it, and love and relationships are a carefully crafted theme. When asked about the environmentalist overtones and rather ominous title Blue says, "In a way this is my warning to the people of earth (or at least the people of USA) but many of these songs feel like I'm listening to them 150 years from now...like when people look back to this time and say, "what the fuck were they thinking letting everything go so long?" I want them to hear in this record that some of us weren't blindly following or distracted by what some idiot tweeted that morning. We called out. We resisted. We tried to turn things by loving the machine and not just using it. We raised our voices in dissent. I also see the sentiment behind “50 Katrinas” as adorably hopeful in two ways: my fantasy that people on the earth will be around in 150 years, and that our music will still be, you know....out there."

Benjamin Cartel

Benjamin Cartel is no stranger to making music that quickly connects with its listeners. That’s something he’s always excelled at, first with the substantial attention and acclaim accorded his duo Kaiser Cartel, and then, with a return to his solo career. To date, the latter has yielded two highly acclaimed efforts, an EP called Money and Love and a full length outing entitled Gothenberg, each of which helped broaden his reputation while underscoring his obvious ambitions. “Benjamin Cartel’s songs can often conjure the same subliminal tension as that of a Randy Newman or John Prine” -.American Songwriter

Aloud

Aloud is a four-piece rock n’ roll band fronted by songwriting team Henry Beguiristain and Jen de la Osa. The two have written songs together since their teens growing up in Miami, Florida. Beguiristain and de la Osa moved to Boston shortly after high school to form Aloud. Over the years, they have created a catalog of songs wide in range, but always influenced by the 60s soul and rock music they grew up on—with a particular affection for harmonies. While the two each have their own distinctive vocal style they are at their best singing together. The two married in 2010. Aloud's music has been featured on NPR's Innovation Hub where it has the honor of being the show's theme song, ESPN, FOX, TV and just recently on a national TV spot for Ashley Furniture. The band has been written about in the Huffington Post, Elmore Magazine, Impose, the Boston Globe, and Time Out to name a few. They play regularly in the northeast, have done two national tours and have been invited several times to the CMJ and SXSW music festivals, and have shared the stage with acts such as Lady Lamb, Lake Street Dive, Cage the Elephant, Alpha Rev, and Hunter Valentine. Recorded at Boston's Q Division studios as part of the Converse Rubber Tracks series and produced by Benny Grotto, the band currently has a new double A side single and video in the works for release early next year with national tour plans to follow in the spring.

Kris Gruen

Kris Gruen writes songs about grown up life infused with a mystic wonder, softening the world’s sharp edges like a glass of exceptionally fine bourbon. Kris grew up steeped in classic records. His Americana influenced new folk is grounded in the tradition of great narrative songwriters like Cat Stevens and Paul Simon and yet Kris’s voice is strikingly current. A New York City native who’s put down roots in Vermont, Kris effortlessly blends sagacious wit and emotional depth. Americana UK writes "There is the sense of theatre that artists such as Sufjan Stevens achieve, and Gruen's music certainly stands alongside such artists comfortably…truly a thing of beauty.” While often garnering comparisons to contemporaries like The Avett Brothers, Ryan Adams, and Andrew Bird, Exclaim! Canada’s Music Authority aptly notes, “Kris Gruen is no mere imitator. He possesses a sound all his own.” Building off the success his critically acclaimed albums Lullaby School and Part Of It All, Kris releases his new album, New Comics From The Wooded World, in the summer of 2013. New Comics From The Wooded World finds Kris Gruen’s voice seasoned, soaring, and at the height of his craft. The spacious, textured production combines the sweeping sounds of classic rock and the intimacy of a Nick Drake midnight session. The album was recorded in San Francisco at John Vanderslice's Tiny Telephone Studios and at producer Charles Newman's (The Magnetic Fields, AM, Gospel Music) Mother West Soho digs in NYC. It features contributions from drummer Butch Norton (Lucinda Williams, Eels), Anais Mitchell, Sean Hayes, Shiben Bhattacharya, The Bowmans, Nashville's Jason Goforth (Over The Rhine) and more.

Soft News

The self effacing title of Soft News’ debut album, Used Melodies, belies its true nature as an innovative cover album of reimagined 80s pop songs. Each song, from Billy Idol’s “Dancing With Myself,” to “Love Touch” by Rod Stewart is completely stripped of the decade’s trademark glitter and bombast. In contrast, the sound that pervades Used Melodies is intimate, exposed, and soothing. From the first track to the last, Erik Laroi (the man behind Soft News) inspires trust in the listener. His pitch perfect production, crooning voice, and nuanced arrangements deliver the sense that you’re listening to indie renditions of the Great American Songbook. The collection of songs that Soft News covers on Used Melodies weren’t so much diamonds in the rough as diamonds covered in rhinestones, glitter, and neon-colored feathers. Laroi tenderly stripped them of their shimmer and glue to reveal the true gems sparkling beneath. Used Melodies was a passion project. Over the past four years, he’s been recording covers in his home studio, selecting songs as the inspiration strikes. He was grocery shopping when “Separate Ways” by Journey came on over the sound system. Laroi couldn’t shake the melancholic alternate version that was cycling through his head and so he recorded it. He did this with approximately 30 songs from the 80s and early 90s (there are two exceptions: a gorgeous version of Big Star’s 1975 classic “Holocaust” and a complete re-interpretation of Pulseprogramming’s 2003 IDM-inspired track “Blooms Eventually”). Laroi enlisted Charles Newman (The Magnetic Fields, Jon DeRosa) to mix them. Laroi had no commercial intent for the project but while mixing, Newman heard an album in the works. Laroi and Newman picked their twelve favorite covers and Used Melodies was born. It will be released on Newman’s label, Mother West, in fall 2014. If you hear a hint of Kings of Convenience in Laroi’s rich, clear vocals, it may be because they are his Norwegian countrymen. Originally from Norway, Erik Laroi spent much of his childhood in Detroit and London. This is where he soaked up 80s pop culture, making weekly trips to the record store with his older brother to pick up the latest album by New Wave cult bands like New Order, The Cure, Depeche Mode, and The Smiths. As he got older, Laroi’s tastes broadened, discovering bands like Red House Painters and Low, as well as singer-songwriters like Nick Drake and Joni Mitchell. This wandering path of musical exploration led him to create Used Melodies, an album that takes a decidedly grown-up approach to childhood nostalgia – resurrecting it to fit the present. Used Melodies by Soft News was recorded and produced by Erik Laroi in his home studio in New York. The album was mixed by Charles Newman and Ray Ketchem (Elk City, The Mendoza Line). The tracks feature backing vocals by Lorraine Lelis (Mahogany, Aarktica) and Margaret White (Sparklehorse) and string arrangements by Perry Serpa (TV On The Radio, The Sharp Things) and Jean Cook (Ida, Mountain Ocean Sun).

The Stargazer Lilies

Kim Field, John Cep, and Tammy Hirata are The Stargazer Lilies. Through their musical history as a duo dream pop/shoegaze/psychedlic song writing team (John & Kim), they have released 3 albums as the band Soundpool and are about to release their second album as The Stargazer Lilies. Their debut release as The Stargazer Lilies 'We Are The Dreamers' was released on Graveface Records in late 2013. Their second release 'Door To The Sun' is due out on Graveface Records Spring 2016. The duo has shared the stage with the likes of: Chapterhouse, Ulrich Schnauss, A Place To Bury Strangers, Asobi Seksu, School Of Seven Bells, Black Moth Super Rainbow, Tobacco and Robin Guthrie to name a few. Their 2015 Spring tour has them paired with Tobacco, Andy Rourke (The Smiths), Airiel, Fever The Ghost, New Fumes, Night School and more. Their second release “Door To The Sun” is due out on Graveface Records Summer 2015.

Cottage Sounds Unlimited

Born in Los Feliz and residing in Brooklyn, Cottage Sounds brings together a widening group of friends and collaborators to this continually growing collection of music and songs.

Seldom Family

Channeling echoes of the nostalgic 50’s and the angular emptiness of 80’s post-punk, Pennsylvania’s Seldom Family conjure up sparse landscapes of sound.

Aarktica

Either solo or with a revolving lineup of guests – Jon DeRosa has been releasing music as Aarktica since 1999. Beginning with his debut album No Solace In Sleep (Silber, 2000), DeRosa’s work has continuously evolved and transformed over the years, from ambient/drone, to shoegaze, to electro-pop, and coming full circle to his more minimal ambient works to date. Ceremony is the first new Aarktica release since 2009’s In Sea (Silber Records) and its subsequent remix album In Sea Remixes (Silber Records, 2010).

Jon DeRosa

Influenced by vocal standards of the 1940's, teenage jukebox anthems of the 50's, and the mod and girl-group sounds of the 60's, DeRosa combines them all to create a cocktail of song-driven atmospheric chamber pop. __________________________________

The Ton Ups

Regarded by many as the original Williamsburg Band. Hey, somebody had to be. The Ton Ups still live and roam the streets of Williamsburg Brooklyn. The Ton Ups play driving garage rock.

Ceramic

Brooklyn Based Acoustic Folk, rock and blues band with catchy rustic dream ballads.

Shyan Selah

Classic early 2000's style hip-hop with hard hitting lyrics cascading in a smooth flow. Shyan Selah embodies the essence of the most trendsetting music icons from his hometown of Seattle. Inspired by the likes of Ray Charles, Jimi Hendrix and Kurt Cobain, Shyan is a master at blending the classic with the cutting edge. A bold singer/songwriter and recording artist, he’s at the forefront of ushering in a new era of modern musicians with his band, The Republic of Sound – an act that is designed to fully embody Shyan’s specialized fusion of rock, soul and hip hop music as the perfect backdrop to his throwback soul-rock vocal and eclectic rhyme style. A creative force in both music and business, Shyan has led a series of unprecedented arrangements with some of the world’s biggest brands including Starbucks, Apple, Barnes & Noble, and Universal Music; and has had his music licensed by FOX, CBS/Paramount, along with special projects featuring the NBA and NFL. An artist and entrepreneur who strives to reach the youth, Shyan has been on the speaking circuit for years, working with various middle schools, high schools, and colleges around the nation. His music and outreach has led to him being invited to act as an ambassador for musicians and music entrepreneurs from around the globe for the World Affairs Council’s International Leadership Conference series at the World Trade Center in Seattle, WA; it is also the driving force behind his unique collaborations with international brands.

Jane Telephonda

With the sweeping Icelandic landscapes that surround them, the backdrop for Jane Telephonda’s new video and single for Into the Light We Go was there for the taking. “We took a 30 minute drive out of Reykjavik City on a tranquil and beautiful but bitterly cold day in January. We only had six hours of daylight to work with, as the sun sets at four o'clock in the afternoon this time of year. The next day, still shivering from the cold, we woke up to the devastating news that as we had been shooting the video, David Bowie had died,” says Ivar Jonsson, one half of the husband-and-wife duo. “It broke my heart. The world will never be the same,” he adds. “Into the Light We Go deals with the fact that we don’t know the answers to the most fundamental questions in the universe; the meaning of life or its purpose. What we do know, however, is that love is the answer. It makes everything worthwhile,” continues Ivar. “So, we must go on, with love and empathy as our guiding light.” Based out of Kopavogur City, Iceland, Jane Telephonda are husband and wife Ivar Jonsson and Asdis Rosa Thordardottir. Inspired by the sounds of the the classics to the contemporaries including Bowie, Sufjan and Wilco to Grizzly Bear, Of Montreal, and Queen, Ívar began writing music at age 16. Songwriting quickly became an addiction to him and a way of life, as he spent hours each day with his guitar and four-track recorder. During the next 15 years, he wrote on average a song a day, providing him with the practice necessary to hone his songwriting skills. In 2011, he started writing his first ambitious release, the 2014 concept album Revolution in the Elbow of Ragnar Agnarsson Furniture Painter. Subsequently he received a nomination for the 2014 Icelandic Music Awards and the album was received with rave reviews in the US coinciding with its theatrical stage adaption at the Minetta Lane Theater in NYC in the summer of 2014. Asdis was featured on the Revolution as well, and with the birth of the couple’s third child last year, making music at home became a necessity. Says Ivar: “In a way our hectic family life became an inspiration and a motivation for recording and writing songs, because we didn’t want to abandon our passion for music. Certain time had to be allotted for anything that did not involve dirty diapers, and that provided us with the frame necessary to get things done.” Into the Light We Go is Jane Telephonda’s second single on Brooklyn indie label Mother West. Jane’s first single, Transmuted Saltness, was out worldwide last November.

Emiliano Melis

Emiliano Melis is a music designer and versatile artist based out of New York City. His works are a mixture of dreams, hallucinations and aesthetics expressed with sound installations and poetry. Performance becomes a particular moment, each time played in different ways. A music journey to the deepest part of the soul running through darkness, passion, sensuality, fear, desire and redemption. He collaborated also with many musicians as a remixer and producer, and with international artists as a composer for videos and sound installations in art galleries in Europe and US.